Jumat, 27 Februari 2015

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Free Ebook , by Kurt Johnston Mark Oestreicher

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, by Kurt Johnston Mark Oestreicher

Product details

File Size: 1099 KB

Print Length: 193 pages

Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits

Publisher: Zondervan (August 30, 2009)

Publication Date: August 30, 2009

Sold by: HarperCollins Publishing

Language: English

ASIN: B002SO80QC

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Amazon Best Sellers Rank:

#425,082 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is one of the best books for young people that I could have in my hand, with stories related to the integrity of every human being this is my second book by the same authors ,the first book os on faith and I am very excited to have the next one about the family , Thank you very much to the authors for worrying about the youthatt roxana Paredes

Well put together devotional book for pre-teens. The chapters are short enough to keep my almost 13 year old's attention, had fun facts in the margins, and touched on relevant issues pertaining to middle school.

We purchased this book used and it arrived in excellent condition (actually better than expected). Shipping was very prompt. Our 11-year-old son read the book for a school book report and said that he enjoyed it. He especially liked the interesting and humorous stories that the authors related from their own lives.

A good book on some ways to survive during middle school! Now because of them I can't wait for 6th grade!! Thanks Kurt and Marko!!

A really fun book for middle schoolers. Wold recommend it to everyone. And I would read it again very soon

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Rabu, 25 Februari 2015

Posted by rodhalelyanicolson on Februari 25, 2015 in | No comments

Ebook Download The Incantations of Daniel Johnston, by Scott McClanahan

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The Incantations of Daniel Johnston, by Scott McClanahan

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The Incantations of Daniel Johnston, by Scott McClanahan


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The Incantations of Daniel Johnston, by Scott McClanahan

Review

"The comic book is the perfect medium ― collaborative, visual, and verbal ― to explore the power of art to connect people in spite / because of extenuating circumstances like mental illness. It’s magical to see Johnston’s art reverberate between Cavolo and McClanahan as they wrestle with these questions like (to choose a metaphor Johnston might appreciate) Jacob wrestling with God."―Lauren O’Neal, Los Angeles Review of Books"[The Incantations of Daniel Johnston] captures Johnston's visions―both artistic and hallucinatory―in an intensely colorful cartoonish style and vivid recurring images: frogs, cascades of pills, volcanoes, eyeballs of many varieties."―John Williams, New York Times Book Review"Brilliant and tragic."―Nathan Scott McNamara, Electric Literature"Fans of Daniel Johnston and his lo-fi, enigmatic music will devour this retelling of Johnston’s humble beginnings, his rise to fame, and his personal demons. While the prose appears sparse it delves into the problematic mythologizing of troubled artists and how we are guilty of turning mental health conditions into clichés."―BuzzFeed News"A self-referential story that acknowledges the odd ways that society constructs culture and celebrity and how hard it can be to fully capture a life, especially when that person is famous, or “cult famous,” as the case may be. But as McClanahan and Cavolo struggle to show the heart of a man who himself struggles to make art and live his life, they show their hearts as well―big, red, and beating.―Laura Adamczyk, The A.V. Club"This blend of music, biography, art, and mental illness belongs in collections with similar works such as Ellen Forney’s Marbles and Alison Bechdel’s Fun Home."―Library Journal "Amazing... a perfect, intuitive blend of fellow fanatics with perspective. Both the writing and the artwork shine."―STUFF "The Incantations of Daniel Johnston bears some similarities to the work of French artist David B. as well as R. Crumb’s shorter work about the religious visions of Philip K. Dick."―Dangerous Minds"Something wholly unexpected, grotesque, and poignant―a deeply idiosyncratic biographical project that is less interested in chronology and reported details than in the attendant horrors and anxieties of childhood, mental health, and creativity."―Will Stephenson, The Fader"You’ve never read anything like The Incantations of Daniel Johnston, a poetic, frenetic dive through the mind of the singer/songwriter, using it as a filter through which the larger strokes of his life are presented. What results is unstable, sympathetic, confused, and damned. As graphic novel biographies go, this one excels, using all the possibilities of its subject to shape the narrative execution, and to skillfully inform the meat of the text, and the themes that it addresses."―John Seven, Comics Beat"If there’s a cultural ambassador to Appalachia at this moment, it very well may be West Virginian writer Scott McClanahan. McClanahan’s latest work, The Incantations of Daniel Johnston, is a graphic novel about the life of Daniel Johnston, the influential outsider rock musician and artist also from West Virginia. Like the accompanying images provided by Spanish artist Ricardo Cavolo, McClanahan’s prose is intoxicating, taking care to detail magnificent anecdotes from Johnston’s life while simultaneously shedding light on ineffable notions like culture, psychology and fame."―Salon"Stunning... spirited and dark and sweet and sad. Reading The Incantations of Daniel Johnston makes the reader feel less alone, makes us feel connected to the vivid beauty and torment that underpins the human experience. McClanahan and Cavolo have managed to generate something spectacular."―Kimberly King Parsons, Fanzine"Written by McClanahan and illustrated by Ricardo Cavolo, [The Incantations of Daniel Johnston] explores music, mental illness, and art. There is humor but also real pain, provided by Johnston’s difficult story as well as McClanahan’s powerful narration. It’s a loose biography, a history imagined."―Phil McCausland, The A.V. Club"Chronicling the life and art of cult musician like Daniel Johnston was never going to be an easy task. The approach chosen by collaborators Cavolo and McClanahan marries vividly surreal art with McClanahan’s stylized prose–a singular combination to evoke a singular artist."―Vol. 1 Brooklyn (best non-fiction of 2016 [so far])"It’s gorgeous. It’s weird. It’s dark and full of devils."―Book Riot"No tribute has been closer to the spirit of Johnston than a new graphic novel, The Incantations of Daniel Johnston [which] manages to pay homage to the legend of Johnston without romanticizing his mental illness. The illustrations by Cavolo, a Spanish artist, are inspired by folk and devotional art, so they elevate Johnston and his figurative creations to the realm of the mystical and the mysterious. Cavolo has effectively created Saint Daniel, but it is a complicated path to sainthood."―Leah Caldwell, Texas Observer"McClanahan pays due respect to Johnston’s genius while casting a less mythical or overly inspirational light on his struggles."―Panels"What McClanahan and Cavolo accomplished can only be called magic and holds the same bizarre power as Johnston’s voice, scrunched face, and shaky hands whenever he’s not holding a guitar. [The Incantations of Daniel Johnston is] a weird, heartbreaking, deeply personal piece of art that will hopefully become as much a part of Daniel Johnston’s story as the iconic mural he left in Austin."―Vol. 1 Brooklyn"Beautiful and original."―Men's Journal"Cavolo’s art is lush, cartoonish, and red, red, red―the better to illustrate Johnston’s giant heart and big, big love for all the girls in his life who already have boyfriends. [The Incantations of Daniel Johnston] acknowledges the odd ways that society constructs culture and celebrity and how hard it can be to fully capture a life, especially when that person is famous, or “cult famous,” as the case may be. But as McClanahan and Cavolo struggle to show the heart of a man who himself struggles to make art and live his life, they show their hearts as well―big, red, and beating."―The A.V. Club"Astounding... as beautiful and heartbreaking, dazzling and giddy as you would expect a brilliant comic-book freestyle biography of Daniel Johnston would be. The love and affection for their subject is matched by a subtly keen dissection of the ways we mythologize troubled artists and mental illness."―Michael Cerveris, Magnet Magazine "Mesmerizing, equal parts ebullient and ecstatic as it is frightening and tragic. Cavolo’s playfully psychedelic illustrations and McClanahan’s dizzyingly-hallucinatory and infectious prose work together to forge a dark alchemy that summons Daniels’ angels and demons, that reaches deep into his mythos both for inspiration and to debunk."―Fanzine"Like an acid-laced children's book, The Incantations of Daniel Johnston follows the course of the musician's life with a hallucinatory reverence, before departing into the happy, beautiful, life filled with love that could have been for Johnston. McClanahan's prose over Cavolo's stunning illustrations left me welling with tears."―The Kind"[Cavolo's] illustrations look a bit like tattoos, a bit like comic book drawings (if a sixth grader had done them . . . but a sixth grader with an MFA). McClanahan makes bold, funny, and true statements about the nature of culture, the history of art, success, psychology, et cetera. [The Incantations of Daniel Johnston] is very good."―ArtsAtl"Tragic, beautiful, funny, an intensely sad portrait of the unfortunate life of a complex artist. Like all of McClanahan's work, there is humor, pathos and an intimate understanding of how difficult it can be just to live a life, this time punctuated by the colorful, strange and somehow movie art of Ricardo Cavolo."―Justin Souther, Malaprop's Bookstore "The best cover of the year. Sorry to all other books that are out in 2016, this thing is just glorious."―Jason Diamond, Vol. 1 Brooklyn"Even without hearing a note of Johnston’s music, The Incantations of Daniel Johnston captivates."―Nathan Thomas, The Parthenon"The Incantations of Daniel Johnston is part fiction, part factual, all madness."―Joni Deutsch, West Virginia Public Broadcasting"Whether or not you know anything about Daniel Johnston, this dazzling graphic novel will beseige your consciousness with colors so vivid they threaten―at any moment―to dribble from the page in warm spats like blood."―William Grabowski, The Night Run"[Cavolo's] bright and bold creations―usually made with traditional techniques and materials such as watercolors, inks and acrylics―depict misfit characters in Frida Kahlo-esque folk art tones and bring 'em into a contemporary context with cool details like glasses, tattoos, bikes and dope shoes."―Shelley Jones, Huck Magazine"[McClanahan is] the Poet Laureate of Real America."―The Millions

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About the Author

Ricardo Cavolo is a world-renowned Spanish artist whose artwork has been on display everywhere from Moscow to Montreal. He has completed artwork for Absolut Vodka, the Glastonbury Festival (UK), Urban Outfitters (France, Germany, England), Nike, FC Barcelona, and Fox Sports Mexico.Scott McClanahan is the acclaimed and award-winning author of Crapalachia, The Sarah BookHill William, and The Collected Works of Scott McClanahan: Volume 1. The Washington Post has called McClanahan's work "the genuine article."

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Product details

Paperback: 136 pages

Publisher: Two Dollar Radio (July 19, 2016)

Language: English

ISBN-10: 1937512452

ISBN-13: 978-1937512453

Product Dimensions:

8 x 0.2 x 10 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#442,381 in Books (See Top 100 in Books)

This is a hard book to process, as it's dealing with quite a bit in such a small space. Even more, it's complicated by it being a "translation" of another text--though, it's really a rewrite based on the artwork and not a direct translation, which is odd in and of itself.That all being said, it's still an interesting and enjoyable read--though often depressing and heartbreaking.It may have some odd asides--and some of the images' captions are too-self-referential and trying to lighten things from time to time--but it tackles the heart of what many artists struggle with: the feeling of worthlessness brought on by our own creations. It's handled, here, in such a way that it resonates and wrestles with what goes on with a "tortured artist."The art is wonderfully vivid and fantastic. The colors are gorgeous, even if--at times--it seems sloppy. (Honestly, I wasn't sure about it at first, but the more I was privy to, the more I enjoyed Cavolo's style.)In the end, it's not for everyone--as I can see the writing, the art, or both pieces bothering some readers--but it's an interesting tome, and one of the more unique things I've read in recent times.

The art is, of course, amazing, but the the writing is what really struck me. The "narrator" is going along, telling you Daniel's story, and then totally attacks you and tells you you're worthless and you should kill yourself. This is done to make you feel the way Daniel did in his dark times, and it worked on me. This book will make you feel mixed up and sad. An absolute must for any hardcore Daniel Johnston fan.

Excellent artwork and writing. Recommended for people looking for questions, not for answers

Good book.

The Incantations of Daniel Johnston isn't about Daniel Johnston. It isn't really about mental illness, or cult-celebrity, or any of that tomfoolery either. It's sorta about Scott McClanahan -- who isn't even real, really. It's a bit of a love note from Spanish artist Ricardo Cavolo to Daniel Johnston, but only a little. Mostly, the book is about you, reading Amazon right now, and the battle of good versus evil, and being free or being cursed by life...sometimes both at the same time. It's about art in a way, but mainly because it IS art...vivid, in-those-moments-before sleep-or-waking kind of art. It's beautiful. And you're made more beautiful for having seen it. This is barely a book, and yet such the same vital thing as a book can be. It's the kind of thing to make you curious about people, curious about the past, about the present, the future, curious about the hows and the whys of life. The Two Dollar Radio folks say it's a graphic novel...that it's "biography | music" but I don't know. It's something...it sure is something. Certainly it's a thing you won't see much in this world: it's a warning and a prayer, it's a certain kind of feeling put down in pages, and in beautifully stinky ink. You'll find yourself in the book, and wonder how you got in there when you know nothing of Daniel Johnston or Scott McClanahan or Ricardo Cavolo...a part of yourself that you'll think, "hey, where have you been so long?" and be glad that you finally have it back.

My introduction to Daniel Johnston was a little convoluted. Working at a skate shop during college, my boss was buying DVDs from this guy whose self-definition as an "artist" became increasingly manic and stubborn as the aughts drifted by. In one of these movies, he would interrupt his usual visual collage of his friend's skating (mostly his own) and some blend of world music & Morrissey deep cuts to inject a badly-rendered puppet which he called a "demon" haunting him, singing odd, simplistic melodies that dripped with sadness. I remember those parts sticking out because it seemed too specific to be a reference to something, that this guy had obviously ripped off some kind of life story and copy-pasted it to his own.I didn't find out until years later that the music I had been hearing and the story of the "demon" were taken from the life of Daniel Johnston. I fell down a youtube rabbit-hole of MTV nostalgia and came across his performance, and I immediately recognized it from those DVDs. I looked into him more and the story started to build itself of the man's life, work, and struggles, defined by mental illness and fires of creativity that came from within. Like Ray Johnson or Roky Ericksson, he's an artist in it's truest sense, forever grappling with the extremes of their work, leading a normal life, and dealing with the special kind of trauma that nature & humanity bestows on us. They are artists in the ugliest, realist sense, forcing us to look at their unflattering natures and glimpse our own future, our own truth.Because of this, I think Scott McClanahan is the most equipped to tell this kind of story. His own life bears the similar kind of ups and downs of Johnson, who also started his life in West Virginia and was influenced early by life-encompassing nature of organized faith. I know less about Ricardo Cavalo, but one read-through his beautiful illustrations should clear any doubt of his qualifications. Johnson's life is illustrated and written here with the kind of irreverence, sadness, and beauty that it deserves, with the same kind of accessibility of Johnson's work. It is the kind of book everyone can enjoy, one that celebrates the complex nature behind what seems like simplicity. In a way, Johnson's story is archetypal to the human story, a life vividly painted with sadness & regret, but highlighted by joy and triumph. If viewed in that way, then I guess that guy who made the DVDs was justified in using Johnson's work to paint his own, but still makes him kind of a douchebag.

This book is as complicated as its subject, yet somehow a fun summer read. The artwork by Ricardo Cavolo is gorgeous and each panel is so intricate, I notice new things every time I flip through, and Scott McClanahan manages to write about very painful realities of life without turning the whole book dark. I bought a second copy to give to a friend.

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Rabu, 18 Februari 2015

Posted by rodhalelyanicolson on Februari 18, 2015 in | No comments

Download The Year of Magical Thinking, by Joan Didion

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The Year of Magical Thinking, by Joan Didion

The Year of Magical Thinking, by Joan Didion


The Year of Magical Thinking, by Joan Didion


Download The Year of Magical Thinking, by Joan Didion

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The Year of Magical Thinking, by Joan Didion

Review

“Her book is thrilling . . . a living, sharp, memorable book . . . An exact, candid, and penetrating account of personal terror and bereavement . . . sometimes quite funny because it dares to tell the truth.”–Robert Pinsky, The New York Times Book Review (cover)“An act of consummate literary bravery, a writer known for her clarity allowing us to watch her mind as it becomes clouded with grief . . . It also skips backward in time [to] call up a shimmering portrait of her unique marriage . . . To make her grief real, Didion shows us what she has lost.”–Lev Grossman, Time “I can’t think of a book we need more than hers . . . I can’t imagine dying without this book.”-John Leonard, New York Review of Books“Achingly beautiful . . . We have come to admire and love Didion for her preternatural poise, unrivaled eye for absurdity, and Orwellian distaste for cant. It is thus a difficult, moving, and extraordinarily poignant experience to watch her direct such scrutiny inward.”–Gideon Lewis-Kraus, Los Angeles Times“Stunning candor and piercing details . . . An indelible portrait of loss and grief . . . [A] haunting portrait of a four-decade-long marriage.”–Michiko Kakutani, The New York Times

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About the Author

Joan Didion was born in California and lives in New York City. She is the author of five novels and seven previous books of nonfiction.Joan Didion's Where I Was From, Political Fictions, The Last Thing He Wanted, After Henry, Miami, Democracy, Salvador, A Book of Common Prayer, and Run River are available in Vintage paperback.

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Product details

Paperback: 62 pages

Publisher: Vintage (May 15, 2007)

Language: English

ISBN-10: 0307386414

ISBN-13: 978-0307386410

Product Dimensions:

5.2 x 0.2 x 8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

1,279 customer reviews

Amazon Best Sellers Rank:

#53,821 in Books (See Top 100 in Books)

My husband died 02/20/2017. A friend recommended this book. It touched my heart - and hit a few nerves - as I shared this tale of confusion and pain. But in this reading, I gained insight into myself and my own unique grief. I learned that each of us have experiences that are similar and also totally different. I found myself recognizing many of my feelings in Ms. Didion’s book. Some of it was painful, but it was also freeing. I know that I will not magically “get back to normal”. I know that my life will never be the same - that I will never be the same person I was before. This wonderful book gave me hope and courage. I can forge a future for myself and still carry my memories with me. A wonderfully engaging book. A Godsend for me, personally.

I read this book after my healthy 67-years-old mother died unexpectedly from a massive brain bleed. She was visiting me, we were talking and sitting on my couch, and she just fell over. It still feels like a nightmare, and it's been been almost three months. Anyway, there are a lot of books out there to help with grief. You can find all kinds of self-help types of books on this topic, some written for adult children, some for surviving spouses. Mostly I didn't find them very helpful---neither did my dad. In addition to grief counseling, I would recommend this book highly to anyone dealing with a sudden death of a loved one.Didion's memoir helped me so much---her descriptions of her emotional trauma, and how she lived in the aftermath were spot-on and very similar to my own experience. I am usually very focused, detail-oriented; my memory is sharp. But since my mom died, I've been forgetful, unfocused, unmotivated. I felt like I was losing my mind. And I just kept thinking that if I could make it through the funeral, that would be the worst part. As Didion explains, that is NOT the worst part, or the hardest part---the worst and hardest things come later. Didion writes a lot about her own similar problems when grieving, and it was so good to know that it's not just me, and that it will get better. I bought a copy for my dad, too, and he devoured it and also found it very helpful---in fact he's mentioned several times how valuable this book has been to him. I know it's a memoir and not really a manual, but somehow, it has been something of a guidebook for us. I bought it on Kindle for me and a hardcover for Dad; I'm going to buy an extra copy to keep, just to have on hand in case a friend could one day benefit from it, too.Read this book if you are dealing with a sudden, unexpected death of a loved one. Or, give it to someone else who is enduring something similar. You won't regret it.

The Netflix documentary 'The Center Will Not Hold' inspired me to read 'The Year of Magical Thinking'. Such good medicine for a grieving heart. I'd bottled up much of that grief after having lost two very special loved ones to cancer and the dissolution of my marriage all within a period of two years. The documentary cracked my heart open again; the book encouraged me to start the healing process."I know why we try to keep the dead alive," Didion writes. "We try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead. Let them become the photograph on the table. Let them become the name on the trust accounts. Let go of them in the water."

Joan Didion's "The Year Of Magical Thinking" is a brutally honest recounting of the grief Mrs. Didion felt after losing her husband, John Gregory Dunne, after forty years of marriage. As someone who believes that "honesty" is the one essential quality every piece of great writing has in common, well then Mrs. Didion has hit the ball out of the park. Her writing is not only honest, but enthralling, and compelling. Yet, this is not the type of book I would recommend to everyone. For people dealing with grief or have experienced great grief one can easily relate and find a certain amount of comfort in the author's experiences, yet if one is in a happy mood or chronically depressed I would not recommend this book. It is a heart wrenching story and sometimes it is better not to disturb one's peace of mind.

Joan Didion after the first 60 pages has become a kindred spirit to me through her writing. There is no recipe for grieving and at times it's like your in someone elses house and can not find anything you need. Words, sentences you've spoken but can not remember. Places and going through the motions but did you really do it or you just thought so. The Awful power of grief can derange the mind. Thoughts, sights, smells, the physical body are stretched so thin it's beyond reality and fantasy.When my dearest husband died, I lost days, forget phone numbers, people's names, whether I showered. Reading this book provides me with somber reality that not just myself had entered the dark whirlpool of which I was too weak and lost to find my way out. This book as allowed me to read about my own road of grief... Which is not close to ending. AndSuperb book, thank you. M

This is the first book by Didion I've ever read, so I didn't know what to expect. I can't compare it to any of her other books. Saying that, I found the book disjointed, sometimes almost lurching from topic to topic, feeling to feeling. At the end, I realized that that probably exactly mirrored her experience of losing her dear husband, even as she coped with her daughter's horrific health issues. Everything a jumble. Interior chaos. Numbing. Coping mechanisms that only work sometimes. Her courageous book is a rich expose of how we frail humans experience loss and survive. Very touching.

The guillotine is abrupt second only to the immediate separation one feels when someone significant in your life dies. Didion is masterful in explaining her coming to terms with her losses in a way that is sorrowful however painful but nearly childlike in observation before and after the events. Most touching

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Kamis, 12 Februari 2015

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Bible in Marshallese / Brown Hardcover / Jeje Ko Rekkwojarjar Kallimur Mokta Kab Kallimur Ekal ilo Kajin Majol eo an Rainin / with helps and maps / Marshall Islands, Nauru, Total speakers 43,900 / a Malayo-Polynesian language

Bible in Marshallese / Brown Hardcover / Jeje Ko Rekkwojarjar Kallimur Mokta Kab Kallimur Ekal ilo Kajin Majol eo an Rainin / with helps and maps / Marshall Islands, Nauru, Total speakers 43,900 / a Malayo-Polynesian language /// This is a great Christian product sourced from BIML - Bible In My Language, the leader in foreign language Bibles and outreach materials from Baltimore, Maryland in the USA. BIML stocks Bibles in more than 600 languages.

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Hardcover: 1672 pages

Publisher: Bible Society (2008)

Language: Marshallese

ASIN: B005952FRM

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#15,969,431 in Books (See Top 100 in Books)

Bible in Marshallese / Brown Hardcover / Jeje Ko Rekkwojarjar Kallimur Mokta Kab Kallimur Ekal ilo Kajin Majol eo an Rainin / with helps and maps / Marshall Islands, Nauru, Total speakers 43,900 / a Malayo-Polynesian language PDF
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Bible in Marshallese / Brown Hardcover / Jeje Ko Rekkwojarjar Kallimur Mokta Kab Kallimur Ekal ilo Kajin Majol eo an Rainin / with helps and maps / Marshall Islands, Nauru, Total speakers 43,900 / a Malayo-Polynesian language PDF
Bible in Marshallese / Brown Hardcover / Jeje Ko Rekkwojarjar Kallimur Mokta Kab Kallimur Ekal ilo Kajin Majol eo an Rainin / with helps and maps / Marshall Islands, Nauru, Total speakers 43,900 / a Malayo-Polynesian language PDF

Senin, 02 Februari 2015

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Free Ebook , by Monica A. Coleman

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File Size: 879 KB

Print Length: 224 pages

Publisher: Fortress Press (August 29, 2008)

Publication Date: August 29, 2008

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Language: English

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Monica A. Coleman (born 1974) teaches Theology and African American Religions at Claremont School of Theology and Claremont Graduate University. She has written/edited a number of other books, such as Creating Women’s Theology: A Movement Engaging Process Thought,Ain't I a Womanist, Too?: Third Wave Womanist Religious Thought,The Dinah Project: A Handbook for Congregational Response to Sexual Violence,Not Alone: Reflections on Faith and Depression, and Bipolar Faith: A Black Woman's Journey with Depression and Faith.She wrote in the Preface to this 2008 book, “this book reflects my own faith and social commitments… This book is a womanist theology inasmuch as and because it is grounded in and tested by the religious experiences of black women… This book is also a constructive postmodern theology, a process theology, because I stand with religious scholars who are inspired by the philosophies of Alfred North Whitehead and Charles Hartshorne… This work also reflects my North American context… This book also reflects my personal taste in literature, music, and scholarship… Thus, this book represents my attempt to answer some of my own questions and reflect on my own faith while also trying to hold together the experiences of many people and communities I’ve come to know and love.”She recalls an experience at a weekly women’s support group for domestic violence victims, with a woman she calls Lisa: “I needed something to say to Lisa. I needed a religious perspective that would not attribute her experience of violence to God… I wanted to connect the specificity of her story with a worldview that acknowledges the reality of evil and loss and finds opportunities for life in each new moment without either waiting on God to make it happen or making Lisa do it all herself. I needed a postmodernist womanist theology.” (Pg. 3)She explains, “Womanist theology is a response to sexism in black theology and racism in feminist theology…Womanist theology examines the social construction of black womanhood in relation to the African American community and religious concepts… Womanist religious scholars want to unearth the hidden voices in history, scripture, and the experiences of contemporary marginalized African American women to discover fragments that can create a narrative for the present and future… Ultimately, black women’s experiences are the foundation for womanist theology.” (Pg. 6-7)She notes, “‘Making a way out of no way’ is a central theme in black women’s struggles and God’s assistance in helping them to overcome oppression. [It] can serve as a summarizing concept for the ways that various womanist theologians describe God’s liberation of black women. But today’s context challenges a womanist theology to address the religious pluralism within the black community… a womanist theology needs to address this challenge within an explicitly postmodern framework… In order to serve black women, a postmodern framework needs to account for the pursuit of justice and the components of black religious experience.” (Pg. 9) Later, she adds, “[This concept] articulates black women’s relationships with God as they navigate the reality of their lives in the pursuit of wholeness and peace.” (Pg. 12) Still later, she adds, “It is an expression that acknowledges God’s role in providing possibilities that are not apparent in the experiences of the past alone…. possibilities offered by God into decisions that lead to survival, quality of life, and liberation for black women.” (Pg. 36)She states, “Womanist theologians who discuss salvation address the suffering and desperate situations of black women… For womanist theologians, salvation flows from their understandings of Jesus Christ. Black women identify with the experiences of Jesus… womanist theologies understand that salvation is not always liberation or freedom from all pain and suffering…. Most important, womanist discussions of salvation bring strong metaphorical language to a constructive womanist theology… Womanist theologians use familiar and indigenous expressions of black women and black religion to add particularity and power to their analysis of what it is that makes us whole.” (Pg. 31-32)She observes, “Postmodern theology describes the relationship between God and the world in ways that are consonant with life in the late twentieth and early twenty-first centuries… More specifically, process theology explains the constant sense of change in the world and how we exist in the midst of stability and instability… process theology… also analyzes the factors that prevent the world from being the beautiful, harmonious, adventurous place that God desires.” (Pg. 45)She concludes, “Postmodern womanist theology is an activity, It is a verb, a gerund. Health and wholeness come through teachING, healING… and creatively transformING… We are not saved apart from the communities in which we participate… Postmodern womanist theology recognizes the leaders of these communities as Saviors… A Savior is known by what she does… She leads a community that makes a way out of no way… Saviors are often those whom wider society least suspects… Postmodern womanist theology argues that a black woman is often Christ… This quest for health and wholeness focuses on social justice in local communities… These communities acknowledge the presence of God and God’s novelty in all the happenings of the world and in every element of creation.” (Pg. 169-171)This is a creative and original perspective on womanist theology, that will be of great interest to those studying Womanism, Black Theology, and related fields.

Being one who is new to both Womanist Theology and Process Philosophy, I appreciate Making a Way Out of No Way for its accessibility. Having read quite a few books on Whiteheadian theology, I realized that it is a rare quality among process thinkers to be able to express complex ideas in manageable and lucid doses. I am delighted that Dr. Coleman is among the talented few.One of the greatest contributions of process philosophy is undoubtedly its ability to incorporate a myriad of human experiences into a unified whole. By bringing together the African Indigenous Spiritual Traditions, Womanist Theology and Process Metaphysics, Dr. Coleman took me on a spiritual journey like no other. Not only is this book true to the suffering of the world, it also offers reasonable and genuine hope for the future. Brutal honesty and hope always go hand in hand for any prophetic discourse. That is why I love this book so much! I highly recommend this book!

Making A Way Out of No Way is truly a remarkable work. The author unlocks the traditional Christian mindset and opens scholarly ideas relating to the social-emotional and political plight of Afro-American women in connection to their religious and spiritual outlook. This is an extraordinary view of how Christ and salvation is interconnected to what I call the Mother Principle but the author refers to as Womanist Theology. The author magnificently demonstrates the connection between the Afro-American Womanist Theology, aspects of salvation, and African Indigenous Spirituality. Making a Way Out of No Way: A Womanist Theology is a must read for women in seminary training. This is a timely book for my spiritual journey and I am very thankful for this brilliant contribution to the spirituality and theology fields. I am looking forward to future works of author, Monica A. Coleman.

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Making a Way out of No way was an excellent introduction into a black postmodern womanist appropriation of process theology.While I myself do not prefer to use process categories and Whiteheadian metaphysics, I sympathize with Coleman's reconstruction of the Christian faith for the 21st century.Theologically speaking, I have a few disagreements with Coleman since I am not a process theologian, but as a relational theologian working within the African American religious tradition, I would highly reocommend this work.

it's fine

The book had a great price and the author was a professor of one of my friend. The part regarding spiritual possession is of great help and changed my perspective on spiritual possession as a whole.

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